Tales from Shakespeare (1923)
Illustrated by Frank C Papé
Tales from Shakespeare (1923) was published by Frederick Warne & Co. Ltd. (London) with a stunning suite of colour and monotone illustrations contributed by Papé to the classic collection of Shakespeare's tales brought together by Charles and Mary Lamb.
The Preface to Tales from Shakespeare (1923) from Charles Lamb provides a lovely introduction to the volume:
The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote; therefore, words introduced into our language since his time have been as far as possible avoided.
In those Tales which have been taken from the Tragedies, as my young readers will perceive when they come to see the source from which these stories are derived, Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies I found myself scarcely ever able to turn his words into the narrative form; therefore I fear in them I have made use of dialogue too frequently for young people not used to the dramatic form of writing. But this fault - if it be as I fear a fault - has been caused by my earnest wish to give as much of Shakespeare's own words as possible; and if the "He said" and "She said", the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way I knew of in which I could give them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted, pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young readers into the belief that they are reading prose, yet still, his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.
I have wished to make these Tales easy reading for very young children. To the utmost of my ability I have constantly kept this in mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies, too, it has been my intention chiefly to write, because boy are generally permitted the use of their fathers' libraries at a much earlier age than girls are. They frequently having the best scenes of Shakespeare by heart before their sisters are permitted to look into this manly book; and therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, I must rather beg their kind assistance in explaining to their sisters such parts as are hardest for them to understand; and when they have helped them to get over the difficulties, then perhaps they will read to them - carefully selecting what is proper for a young sister's ear - some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken. And I trust they will find that the beautiful extracts, the select passages, they may choose to give their sisters in this way will be much better relished and understood from their having some notion of the general story from one of these imperfect abridgments, which, if they be fortunately so done as to prove delightful to any of you, my young readers, I hope will have no worse effect upon you than to make you wish yourselves a little older, that you may be allowed to read the Plays at full length: such a wish will be neither peevish nor irrational. When time and leave of judicious friends shall put them into your hands, you will discover in such of them as are here abridged - not to mention almost as many more which are left untouched - many surprising events and turns of fortune, which for their infinite variety could not be contained in this little book, besides a world of sprightly and cheerful characters, both men and women, the humour of which I was fearful of losing if I attempted to reduce the length of them.
What these Tales have been to you in childhood, that and much more it is my wish that the true Plays of Shakespeare may prove to you in older years - enrichers of the fancy, strentheners of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honourable thoughts and actions, to teach you courtesy, benignity, generosity, humanity; for of examples teaching these virtues, his pages are full.
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On the left, we show a rare copy of Tales from Shakespeare published with Papé's illustrations for the first time in 1923.
This example retains the original decorative black- and gilt-stamped brown suede cover.
To the right, we show the decorative Title Page designed by Papé. |
Our Greeting Cards and Fine Art Posters
For connoisseurs of Papé's work, we have prepared sets of 8 Greeting Cards displaying each of his major colour images for Tales from Shakespeare and on the left, we show an example of how these Greeting Cards appear.
Code: FCP TS CS(8)
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Similarly, we have prepared sets of 12 Greeting Cards displaying each of Papé's major monotone images for Tales from Shakespeare and on the right, we show an example of how these Greeting Cards appear.
Code: FCP TS
MS(12)
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When presented on Greeting Cards, these images are prepared as tipped-on plates - in hommage to the hand-crafted approach typical of prestige illustrated publications produced in the early decades of the 20th Century. Each card is hand-finished and the images are presented on Ivory card stock with an accompanying envelope. The rear of each card carries information about Frank C Papé, this wonderful suite and the profiled illustration - we have left the interior of the cards blank so that you may write your own personal message.
Should you wish to order a reproduction print of one or more of these images, we have provided some options below. Each of our Fine Art Posters is prepared with archival quality papers and inks - and also accompanied by information about Frank C Papé, this suite and the profiled illustration.
To purchase, simply click on the appropriate "Add to Cart" button and you will be taken through to our Shopping Cart secured through PayPal. Multiple purchases will be consolidated by that feature and shipping and handling costs to any destination in the world are accommodated by our flat-rate fee of US$20 for every US$200 worth of purchases. |
An example of one of our Fine Art Posters in a superb 20x36" format |
Of course, should you wish to discuss some customised options, we welcome your contact on any matter through
ThePeople@SpiritoftheAges.com.
In the meantime, enjoy perusing these wonderful images from Frank C Papé.
The major colour illustrations
The Tempest He took rather too much pleasure in tormenting an ugly monster called Caliban (Frontispiece)
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A Midsummer-Night's Dream O how I love you! how I dote upon you! |
The Winter's Tale He saw the old man's supposed daughter |
Cymbeline How came I here covered with flowers? |
Fine Art Poster (10x18'')
Code: FCP TS C1 10x18
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Fine Art Poster (10x18'')
Code: FCP TS C2 10x18
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Fine Art Poster (10x18'')
Code: FCP TS C3 10x18
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Fine Art Poster (10x18'')
Code: FCP TS C4 10x18
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The Taming of the Shrew How fares my sweet Kate? |
Romeo and Juliet The day was breaking when they parted
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Hamlet: Prince of Denmark To this brook she came one day |
Othello He spoke more openly of his love |
Fine Art Poster (10x18'')
Code: FCP TS C5 10x18
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Fine Art Poster (10x18'')
Code: FCP TS C6 10x18
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Fine Art Poster (10x18'')
Code: FCP TS C7 10x18
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Fine Art Poster (10x18'')
Code: FCP TS C8 10x18
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The major monotone illustrations
Much Ado About Nothing They saw Borachio standing under the window
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As You Like It He drew his sword, and attacked the lioness |
The Two Gentlemen of Verona Valentine came to console and relieve her |
The Merchant of Venice This bond here gives you no drop of blood |
Fine Art Poster (10x18'')
Code: FCP TS M1 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M2 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M3 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M4 10x18
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King Lear A tender sight it was to see the meeting between his father and daughter
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Macbeth They were stopped by the strange appearance of three figures |
All's Well That Ends Well The king at length consented to try it |
The Comedy of Errors The wandering Adriana saw to husbands and two Dromios standing before her |
Fine Art Poster (10x18'')
Code: FCP TS M5 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M6 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M7 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M8 10x18
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Measure for Measure And Claudio retied, overwhelmed with grief and shame |
Twelfth Night She began to think of confessing that she was a woman |
Timon of Athens Timon would still put him off and turn the discourse to something else
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Pericles: Prince of Tyre Diana commanded him to go to her temples |
Fine Art Poster (10x18'')
Code: FCP TS M9 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M10 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M11 10x18
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Fine Art Poster (10x18'')
Code: FCP TS M12 10x18
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The monotone End Papers
End Papers Cobweb, Oberon, Titania and Pease-Blossom
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Fine Art Poster (11x14'')
Code: FCP TS EP 11x14
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