Dante's Inferno

 

Illustrated by Gustave Doré

 

 

 

Inferno is the work of Dante Alighieri and a volume illustrated by Gustave Doré

was produced by Pollard and Moss (New York) in 1887.

 

The first of three canticas comprising Dante Alighieri's Commedia (later referred to

as Commedia Divina - the Divine Comedy in English), the other canticas being

Purgatorio and Paradiso. It is considered the central epic poem of Italian literature

and was composed by Dante sometime between 1308 and 1321.

 

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Cover for ''Inferno'' (1887), written by Dante Alighieri and illustrated by Gustave Dore

The themes explored within Commedia draw upon a number of influences including the imagery consistent with the then-contemporary Medieval view of a Christian afterlife - as fostered by the Holy Roman Church (later to become the Catholic Church) - in addition to contemporary political events, including Dante's exile from Florence.

 

Inferno serves as an introduction to Commedia - with Dante being met by his guide, Virgil, after the intercession of his beloved Beatrice  as he was contemplating suicide - in addition to chronicling the passage of Dante and Virgil through the Nine Circles of Hell.

 

 

 

 

To the left, we show an antique example (circa 1887) of

Dante's Inferno as illustrated by Gustave Doré

 

 

Our Greeting Cards and Fine Art Posters

 

 

Greeting Card sample showing an image from ''Inferno'' (1887), written by Dante Alighieri and illustrated by Gustave Dore

For connoisseurs of Doré's work, we have prepared sets of 76 Greeting Cards displaying each of his illustrations for Dante's Inferno and on the left, we show an example of how these Greeting Cards appear.

 

 

 

Code: GD I CS(76)
Price: US$380.00

 

 

When presented on Greeting Cards, these images are prepared as tipped-on plates - in hommage to the hand-crafted

approach typical of prestige illustrated publications produced in the early decades of the 20th Century. Each card is

hand-finished and the images are presented on White card stock with an accompanying envelope. On the rear of each

card we also present some information about this great work and each individual illustration. We have left the interior

of the cards blank so that you may write your own personal message.

 

Similarly, we have provided options for the purchase of reproductions of these

wonderful images on our Fine Art Posters.

 

Each of those Fine Art Posters is prepared with archival quality materials to ensure

many years of ongoing enjoyment.

 

To purchase, simply click on the appropriate "Add to Cart" button and you will

be taken through to our Shopping Cart secured through PayPal. Multiple

purchases will be consolidated by that feature and shipping and handling costs

to any destination in the world are accommodated by our flat-rate fee of

US$20 for every US$200 worth of purchases.

 

We are able to reproduce these images in a variety of sizes and naturally, should

you wish to order a Fine Art Poster in another format or individual

Greeting Cards from this suite of images, we welcome your contact through

ThePeople@SpiritoftheAges.com.

 

In the meantime, enjoy perusing these powerful images from Gustave Doré.

Fine Art Poster sample showing an image from ''Inferno'' (1887), written by Dante Alighieri and illustrated by Gustave Dore

 

An example of one of our Fine Art Posters

in a superb 24x36" format

 

 

Doré's designs for Dante's Inferno

 

 

Gustave Dore - 'Portrait of Dante Alighieri' from ''Inferno'' (1887), written by Dante Alighieri

Gustave Dore - Illustration depicting Canto I, lines 1, 2 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto I, lines 29-32 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto I, lines 43, 44 from ''Inferno'' (1887), written by Dante Alighieri
Portrait of Dante Alighieri

In the midway of this our mortal life,

I found me in a gloomy wood, astray.

Canto I., lines 1, 2.

Scarce the ascent

Began, when, lo! a panther nimble, light,

And cover'd with a speckled skin, appear'd:

Nor, when it saw me, vanished

Canto I., lines 29-32.

 

 

A lion came, 'gainst me as it appear'd,

With his head held aloft, and hunger mad.

Canto I., lines 43, 44.

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Gustave Dore - Illustration depicting Canto I, line 132 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto I, line 187 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto II, line 1 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto II, lines 70, 71 from ''Inferno'' (1887), written by Dante Alighieri

Onward he moved, I close his steps pursued.

Canto I., line 132.

He, soon as he saw that I was weeping.

Canto I., line 187

Now was the day departing.

Canto II., line 1

I, who now bid thee on this errand forth,

Am Beatrice.

Canto II., lines 70, 71.

 

 

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Gustave Dore - Illustration depicting Canto III, line 9 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto III, lines 76-78 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto III, lines 107-108 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto IV, lines 38, 39 from ''Inferno'' (1887), written by Dante Alighieri

All hope abandon, ye who enter here.

Canto III., line 9.

And, lo! toward us in a bark

Comes on an old man, hoary white with eld,

Crying, "Woe to you, wicked spirits!".

Canto III., lines 76-78.

 

 

E'en in like manner Adam's evil brood

Cast themselves, one by one, down from the shore.

Canto III., lines 107, 108.

Only so far afflicted, that we live

Desiring without hope.

Canto IV., lines 38, 39.

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Gustave Dore - Illustration depicting Canto IV, lines 89-91 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto V, line 4 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto V, lines 32, 33 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto V, lines 72-74 from ''Inferno'' (1887), written by Dante Alighieri

So I beheld united the bright school

Of him the monarch of sublimest song,

That o'er the others like an eagle soars.

Canto IV., lines 89-91.

There Minos stands.

Canto V., line 4.

The stormy blast of hell

With restless fury drives the spirits on.

Canto V., lines 32, 33.

Bard! willingly

I would address those two together coming,

Which seem so light before the wind.

Canto V., lines 72-74.

 

 

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Gustave Dore - Illustration depicting Canto V, lines 105, 106 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto V, lines 134, 135 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto V, lines 137, 138 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto VI, lines 24-26 from ''Inferno'' (1887), written by Dante Alighieri

Love brought us to one death: Caďna awaits

The soul, who spilt our life.

Canto V., lines 105, 106.

In its leaves that day

We read no more.

Canto V., lines 134, 135.

I, through compassion fainting, seem'd not far

From death, and like a corpse fell to the ground.

Canto V., lines 137, 138.

Then my guide, his palms

Expanding on the ground, thence fill'd with earth

Raised them, and cast it in his ravenous maw.

Canto VI., lines 24-26.

 

 

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Gustave Dore - Illustration depicting Canto VI, lines 49-52 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto VII, lines 8, 9 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto VII, lines 65-67 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto VII, lines 118, 119 from ''Inferno'' (1887), written by Dante Alighieri

Thy city, heap'd with envy to the brim,

Aye, that the measure overflows its bounds,

Held me in brighter days. Ye citizens

Were wont to name me Ciacco.

Canto VI., lines 49-52.

 

 

Curst wolf! thy fury inward on thyself

Prey, and consume thee!

Canto VII., lines 8, 9.

Not all the gold that is beneath the moon,

Or ever hath been, or these toil-worn souls,

Might purchase rest for one.

Canto VII., lines 65-67.

Now seest thou, son!

The souls of those, whom anger overcame.

Canto VII., lines 118, 119.

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Gustave Dore - Illustration depicting Canto VIII, lines 27-29 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto VIII, lines 39-41 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto VIII, lines 110, 111 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto IX, line 46 from ''Inferno'' (1887), written by Dante Alighieri

Soon as both embark'd,

Cutting the waves, goes on the ancient prow,

More deeply than with others it is wont.

Canto VIII., lines 27-29.

My teacher sage

Aware, thrusting him back: "Away! down there

To the other dogs!"

Canto VIII., lines 39-41.

 

 

I could not hear what terms he offer'd them,

But they conferr'd not long.

Canto VIII., lines 110, 111.

Mark thou each dire Erynnis.

Canto IX., line 46.

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Gustave Dore - Illustration depicting Canto IX, lines 87-89 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto IX, lines 124-126 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto X, lines 40-42 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XI, lines 6, 7 from ''Inferno'' (1887), written by Dante Alighieri

To the gate

He came, and with his wand touch'd it, whereat

Open without impediment it flew.

Canto IX., lines 87-89.

His answer thus return'd:

"The arch-heretics are here, accompanied

By every sect their followers."

Canto IX., lines 124-126.

 

 

He soon as there I stood at the tomb's foot

Eyed me a space; then in a disdainful mood

Address'd me: "Say what ancestors were thine."

Canto X., lines 40-42.

From the profound abyss, behind the lid

Of a great monument we stood retired.

Canto XI., lines 6, 7.

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Gustave Dore - Illustration depicting Canto XII, lines 11-14 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XII, lines 58, 59 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XII, lines 73, 74 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XIII, line 11 from ''Inferno'' (1887), written by Dante Alighieri

And there

At point of the disparted ridge lay stretch'd

The infamy of Crete, detested brood

Of the feign'd heifer.

Canto XII., lines 11-14.

 

 

One cried from far: "Say, to what pain ye come

Condemn'd, who down this steep have journey'd."

Canto XII., lines 58, 59.

We to those beasts, that rapid strode along,

Drew near.

Canto XII., lines 73, 74.

Here the brute Harpies make their nest.

Canto XIII., line 11.

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Gustave Dore - Illustration depicting Canto XIII, line 34 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XIII, line 120 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XIV, lines 37-39 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XV, lines 28, 29 from ''Inferno'' (1887), written by Dante Alighieri

And straight the trunk exclaimed, "Why pluck'st thou me?"

Canto XIII., line 34.

"Haste now," the foremost cried, "now haste thee, death!"

Canto XIII., line 120.

Unceasing was the play of wretched hands,

Now this, now that way glancing, to shake off

The heat, still falling fresh.

Canto XIV., lines 37-39.

 

 

"Ser Brunetto!

And are ye here?"

Canto XV., lines 28, 29.

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Gustave Dore - Illustration depicting Canto XVII, line 7 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XVII, line 17 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XVIII, line 38 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XVIII, lines 116, 117 from ''Inferno'' (1887), written by Dante Alighieri

Forthwith that image vile of Fraud appear'd.

Canto XVII., line 7.

New terror I conceived at the steep plunge.

Canto XVII., line 17.

Ah! how they made them bound at the first stripe!

Canto XVIII., line 38.

"Why greedily thus bendest more on me,

Than on these other filthy ones, thy ken?"

Canto XVIII., lines 116, 117.

 

 

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Gustave Dore - Illustration depicting Canto XVIII, lines 130-132 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XIX, lines 51-52 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXI, lines 50-51 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXI, line 70 from ''Inferno'' (1887), written by Dante Alighieri

Thaďs is this, the harlot, whose false lip

Answer'd her doting paramour that ask'd,

"Thankest me much!"

Canto XVIII., lines 130-132.

 

 

There stood I like the friar that doth shrive

A wretch for murder doom'd.

Canto XIX., lines 51-52. 

This said,

They grappled him with more than hundred hooks.

Canto XXI., lines 50-51.

Be none of you outrageous.

Canto XXI., line 70.

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Gustave Dore - Illustration depicting Canto XXII, lines 125-126 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXII, lines 137-139 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXIII, lines 52-54 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXIII, lines 92-94 from ''Inferno'' (1887), written by Dante Alighieri

In pursuit

He therefore sped, exclaiming, "Thou art caught."

Canto XXII., lines 125-126.

But the other proved

A goshawk able to rend well his foe;

And in the boiling lake both fell.

Canto XXII., lines 137-139.

Scarcely had his feet

Reach'd to the lowest of the bed beneath,

When over us the steep they reach'd.

Canto XXIII., lines 52-54.

 

 

"Tuscan, who visitest

The college of the mourning hypocrites,

Disdain not to instruct us who thou art."

Canto XXIII., lines 92-94.

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Gustave Dore - Illustration depicting Canto XXIII, lines 117-120 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXIV, lines 89-92 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXV, lines 59-61 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXVI, lines 46-49 from ''Inferno'' (1887), written by Dante Alighieri

"That pierced spirit, whom intent

Thou view'st, was he who gave the Pharisees

Counsel, that it were fitting for one man

To suffer for the people."

Canto XXIII., lines 117-120.

Amid this dread exuberance of woe

Ran naked spirits wing'd with horrid fear,

Nor hope had they of crevice where to hide,

Or heliotrope to charm them out of view.

Canto XXIV., lines 89-92.

 

 

The other two

Look'd on, exclaiming, "Ah! how dost thou change,

Agnello!"

Canto XXV., lines 59-61.

The guide, who mark'd

How I did gaze attentive, thus began:

"Within these ardours are the spirits, each

Swathed in confining fire."

Canto XXVI., lines 46-49.

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Gustave Dore - Illustration depicting Canto XXV, lines 59-61 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXVIII, lines 69-72 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXVIII, lines 116, 119 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXIX, lines 4-6 from ''Inferno'' (1887), written by Dante Alighieri

"Now mark how I do rip me: lo!

How is Mahomet mangled."

Canto XXV., lines 59-61.

Call thou to mind

Piero of Medicina, if again

Returning, thou behold'st the pleasant land

That from Vercelli slopes to Mercabň.

Canto XXVIII., lines 69-72.

By the hair

It bore the sever'd member, lantern-wise

Pendent in hand, which look'd at us, and said,

"Woe's me!"

Canto XXVIII., lines 116-119.

 

 

But Virgil roused me: "What yet gazest on?

Wherefore doth fasten yet thy sight below

Amongst the maim'd and miserable shades?"

Canto XXIX., lines 4-6.

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Gustave Dore - Illustration depicting Canto XXIX, lines 52-56 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXIX, lines 79-81 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXX, lines 33, 34 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXX, lines 38, 39 from ''Inferno'' (1887), written by Dante Alighieri

Then my sight

Was livelier to explore the depth, wherein

The minister of the most mighty Lord,

All-searching Justice, dooms to punishment

The forgers noted on her dread record.

Canto XXIX., lines 52-56.

 

 

The crust

Came drawn from underneath in flakes, like scales

Scraped from the bream, or fish of broader mail.

Canto XXIX., lines 79-81.

"That sprite of air is Schicchi; in like mood

Of random mischief vents he still his spite."

Canto XXX., lines 33, 34.

"That is the ancient soul

Of wretched Myrrha."

Canto XXX., lines 38, 39.

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Gustave Dore - Illustration depicting Canto XXXI, lines 64-66 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXI, lines 82-84 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXI, lines 133-135 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXII, lines 20-22 from ''Inferno'' (1887), written by Dante Alighieri

"Oh senseless spirit! let thy horn for thee

Interpret: therewith vent thy rage, if rage

Or other passion wring thee."

Canto XXXI., lines 64-66.

"This proud one

Would of his strength against almighty Jove

Make trial."

Canto XXXI., lines 82-84.

 

 

Yet in the abyss,

That Lucifer with Judas low ingulfs,

Lightly he placed us.

Canto XXXI., lines 133-135.

"Look how thou walkest. Take

Good heed, thy soles do tread not on the heads

Of thy poor brethren."

Canto XXXII., lines 20-22.

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Gustave Dore - Illustration depicting Canto XXXII, lines 97, 98 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXII, lines 127-129 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXIII, lines 62, 63 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXIII, lines 67, 68 from ''Inferno'' (1887), written by Dante Alighieri

Then seizing on his hinder scalp I cried:

Name thee, or not a hair shall tarry here."

Canto XXXII., lines 97, 98.

Not more furiously

On Menalippus' temples Tydeus gnawed,

Than on that skull and on its garbage he.

Canto XXXII., lines 127-129.

 

 

Then, not to make them sadder, I kept down

My spirit in stillness.

Canto XXXIII., lines 62, 63.

"Hast no help

For me, my father!"

Canto XXXIII., lines 67, 68.

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Gustave Dore - Illustration depicting Canto XXXIII, lines 73, 74 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXIV, lines 20, 21 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXIV, lines 127-129 from ''Inferno'' (1887), written by Dante Alighieri Gustave Dore - Illustration depicting Canto XXXIV, line 134 from ''Inferno'' (1887), written by Dante Alighieri

Then, fasting got

The mastery of grief.

Canto XXXIII., lines 73, 74.

"Lo!" he exclaimed, "lo! Dis; and lo! the place,

Where thou hast need to arm thy heart with strength."

Canto XXXIV., lines 20, 21.

By that hidden way

My guide and I did enter, to return

To the fair world.

Canto XXXIV., lines 127-129.

 

 

Thence issuing we again beheld the stars.

Canto XXXIV., line 134.

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