"Siegfried and
The Twilight of the Gods" (1911)
Illustrated by Arthur Rackham
"Siegfried and The Twilight of the Gods", as illustrated by Arthur Rackham, presents
the third of consecutive published suites that were prepared
to illustrate Germanic traditions and, in this case, it
included extensive colour and monotone images to complete his interpretation of
Wagner's
"Ring of Nibelung".
C S Lewis - the Irish-born British novelist, academic,
literary critic, essayist, medievalist, lay theologian and Christian apologist -
held a lifelong
passion for Rackham's illustrations for Wagner's "Ring",
noting that the illustrations were the delight of his schooldays and recalled
his first
sighting of the complete set of illustrations from "Siegfried
and The Twilight of the Gods" thus:
There, on [my cousin's] drawing room table I found the
very book ... which I had never dared
to hope I should see, "Siegfried and The Twilight of the
Gods" illustrated by Arthur Rackham.
His pictures, which seemed to me to be the very music [of
Wagner] made visible, plunged
me a few fathoms deeper into my delight. I have seldom
coveted anything as I coveted that
book; and when I heard there was a cheaper edition at 15
shillings ... I knew I could never
rest until it was mine.
The critical reception of "Siegfried and The Twilight of the
Gods" matched the personal reception of the young C S Lewis, as noted in the
following extract from "The Bookman" (1912):
Here Mr. Arthur Rackham's illustrations enter into
competition with some of the finest and most
adequate stage realisations ever witnessed. But Mr. Rackham
need not fear the comparison.
It is sufficient to say to any one who saw last year the
first volume of the Trilogy that the high
standard of excellence there reached is here maintained. To
those who did not one may mention
enthusiastically the vigour and splendid movement, the
largeness of conception and subtle
atmosphere, and the grotesque, fanciful, or grandiose
"feeling" for his subject which most of
them show. Everything Mr. Rackham does has distinction and is
within its intention almost
always well done. Such intelligent illustration is a rare
delight.
Rackham's suite of illustrations for the First Edition of
"Siegfried and The Twilight of the Gods" (1911) included 30 tipped-in colour plates
and
more monotone illustrations.
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