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eBay
Offerings
Here we show some of the recent offerings from the
Collection that have been available on eBay.
The Knave of Hearts (1925)
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A rare copy of Saunders'
The Knave of Hearts illustrated by Maxfield Parrish and produced
in 1925 by Artists and Writers Guild (Racine, Wisconsin).
This copy retains the original
repeated design to front and rear covers and spiral binding in
wonderful condition.
To the left, we show detail
from the illustration appearing on the front and rear covers.
On the
right, we show detail from the illustrated Title Page.
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The contributions to The Knave of Hearts by
Parrish are considered by many to be the "crown jewels"
of his book illustrations.
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The Knave of Hearts is lavishly illustrated in a
manner that is quintessentially Parrish. The paintings for The Knave of
Hearts were completed by Parrish inside three years and
the prestigious combination of large format and coated paper - providing the highest quality reproductions
possible at the time - were ideal for the richly coloured paintings
prepared by Parrish.
To the right, we show a detail from
Parrish
illustration to the Owner's Page that
carries
the words, "This is the Book of".
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Knave of Hearts is lavishly
illustrated with 23 illustrations within the book, in addition to
the images repeated on the front and rear cover.
To the right, we show one of the numerous
full-page Parrish contributions to Knave of Hearts, depicting
Violetta in a most gorgeous fashion. |
Comus
(1921)
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A rare copy of John Milton's
Comus - illustrated by Rackham and co-published by
William Heinemann (London) and Doubleday Page & Co (New York) in
1921.
Despite the noted
co-publishing citation, all copies of this 1st Edition were printed
in Great Britain by The Cornwall Press, Ltd of Paris Garden,
Stamford Street, London, SE1.
To the left,
we shown the original
decoratively
gilt-stamped green cloth cover.
On the right is shown the
decorative
Title Page for this 1st Edition. |
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The Masque of Comus was a 17th Century moral
tale borne from a collaboration between John Milton and Henry Lawes. It
tells a story about virtue and grace, two matter upon
which Milton had meditated profoundly. The tale is of a lady, lost from
her brothers in a wood, who is threatened by the son of
Bacchus and Circe. The loss of her virginity follows but through
supernatural means, she is saved.
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The original performance of The Masque of Comus
was before the Earl of Bridgewater on the occasion of his becoming Lord President of Wales. Performed at Ludlow Castle,
the parts of the Lady and her two brothers were played by three children of the Earl, and the part of "Thyrsis the Attendant
Spirit" by Lawes himself.
To the left,
we show the delightful original
End Papers designed by Rackham for
Comus. |
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A review in The New York Times published on 4
December 1921 provided the following critique of Rackham's Comus:
Another old masterpiece in new garments is the
Arthur Rackham illustrated edition of John Milton's
Comus ... [i]t is quite likely that Milton would
have
been paralyzed beyond the use of words could he
see it - but, then, as Milton was blind, that is not
saying so much for the book as it really deserves.
On the right, we show one of the
many
wonderful colour illustrations within Comus. |
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A review in The New York Times published on 4
December 1921 provided the following critique of Rackham's Comus:
Another old masterpiece in new garments is the Arthur
Rackham illustrated edition of John Milton's
Comus ... [i]t is quite likely that Milton would
have been paralyzed beyond the use of words could
he see it - but, then, as Milton was blind, that is not
saying so much for the book as it really deserves.
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In addition to a
stunning suite of colour illustrations, Rackham's Comus is
also profusely illustrated with full-page and marginal monotone
images.
To the left and right, we show two
of the many monotone images included in Rackham's contribution to
Comus. |
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Fairy Tales by Hans Andersen illustrated by Kay Nielsen
George H Doran Company, New York: 1924
A highly collectable and rare complete 1st
Edition
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A rare copy of
the 1st Edition of Nielsen's illustrated rendering of Fairy Tales by Hans Andersen
produced by George H Doran Company (New York) in 1924.
This copy shows the original
decorative
multitone paste-down to the front
cover
and retains the original black
cloth binding.
To the right, we show the
decorative Title Page
for Fairy Tales by Hans
Andersen.
Below, we show the decorative End
Papers for this copy - we have shown the front and rear fixed papers
to provide some insight into the state of preservation for this
title. |
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Nielsen provided a range of illustrations for Fairy
Tales by Hans Andersen including colour illustrations,
full-page
monotone images and marginal monotone illustrations.
This edition includes complete suite of 12 colour images he
prepared to accompany these tales, in addition to the
extensive range of full-page and marginal monotone illustrations
he produced for this substantial work.
The highly collectable and rare 1st Edition is
distinguished from later vintage editions by the inclusion of all 12 colour
illustrations (later editions often included just 8
images). Further, the illustrations appear as tipped-in plates and include
both the central image and the wonderful integrated
ornamental border as originally prepared by Nielsen. Naturally,
the current offering is complete from front to rear
cover.
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The two
adjacent images are among those prepared by Nielsen for "The Tinder
Box".
On the left, we show the
tipped-in plate which appeared
as the title's frontispiece.
To the right, we show the
introductory
monotone illustration.
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The two
adjacent images are among those prepared by Nielsen for "Ole
Luk-Oie".
On the left, we show the
tipped-in plate.
To the right, we show the
introductory
monotone illustration. |
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Fairy Tales by Hans Andersen includes a
selection of 16 tales from Hans Christian Andersen - the 19th Century Danish
author and poet. The images from Kay Nielsen marked his
return to contributions to commissioned illustrated books
following World War I and his subsequent involvement in
the Danish theatre.
The tales comprising the collection include: "The
Tinder Box"; "Great Claus and Little Claus"; "The Real Princess";
"The Hardy Tin Soldier"; "The Flying Trunk"; "Old
Luk-Oie"; "The Swineherd"; "The Nightingale"; "The Snow Queen";
"The Red Shoes"; "The Shepherdess and the
Chimney-Sweeper"; "The Shadow"; "The Shirt Collar"; "The Bottle-Neck";
"The Elder Tree Mother"; and "The Story of a Mother".
Fairy Tales by Hans Andersen illustrated by Harry Clarke
George G Harrap & Co Ltd, London: 1931
A highly collectable and rare complete
vintage Harrap edition
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A rare copy of
the 1931 vintage edition of Clarke's illustrated rendering of Fairy Tales by Hans Andersen
produced by George G Harrap & Co Ltd (London). Printing for this
edition was undertaken by Jarrold & Sons Ltd (Norwich).
On the left, we show this copy
retaining
the original decoratively stamped
red
cloth cover.
To the right, we show the
decorative Title Page prepared
by Harry Clarke for Fairy Tales
by Hans Andersen. |
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Fairy Tales by Hans Christian Andersen was
Harry Clarke's first published commission and includes a splendid array of
monotone and colour illustrations.
This vintage copy is understood to include all
illustrations that first appeared within the 1st Edition and is complete
with
16 wonderful colour images and 24 major monotone
plates. In addition to those illustrations, a wealth of marginal
monotone illustrations are also shown from Harry
Clarke.
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The two
adjacent images are examples of colour and marginal monotone
illustrations by Harry Clarke.
On the left, we show the colour
plate
illustrating "The Hardy Tin
Soldier" - this
appears as the frontispiece.
To the right, we show the
marginal
monotone illustration that
decorates
the Half-Title page.
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The two
adjacent images are examples of colour and major monotone
illustrations by Harry Clarke.
On the left, we show the major
monotone image
from Clarke illustrating "The
Little Sea Maid".
To the right, we show the
colour illustration
prepared by Clarke for
"Thumbelina". |
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This compendium includes classic tales from Hans
Christian Andersen including: "The Tinder-Box"; "Great Claus
and Little Claus"; "Thumbelina"; "The Travelling
Companion"; "The Emperor's New Clothes"; "The Goloshes
of Fortune"; "What the old man is always right"; "The
Storks"; "The Ugly Duckling"; "The Shepherdess and the
Chimney-Sweeper"; "The Fir Tree"; "The Swineherd"; "The
Snow Queen"; "The Nightingale"; "The Little Match
Girl"; "The Elf-Hill"; "The Old House"; "The
Butterfly"; "The Little Sea Maid"; "The Wild Swans"; "The Marsh
King's Daughter"; "The Garden of Paradise"; and "What
the Moon saw".
Tausend und Eine Nacht
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A rare copy of
the German-language version of Stories from The Arabian Nights
- Tausend und Eine Nacht - with Dulac's suite of 50 superb
colour illustrations shown on tipped-in plates.
This edition was published in or
about 1935 by Schmidt & Günther (Leipzig).
On the left,
this copy shows the original decoratively red-stamped white cloth cover.
To the right, we show the Title Page. |
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Dulac's illustrations to Stories from The Arabian
Nights masterfully capture the fantastic elements of the tales
through a combination of brilliantly coloured
characters and soft, impressionistic backgrounds while in other
scenes, a brooding and mysterious atmosphere is created
through the use of a darker palette.
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The contemporary review published in The New York Times (21
December, 1907) provides the following description:
For real charm - a charm quite comparable to
Scheherezade's own - this volume depends upon the indescribably quaint and bewitching illustrations provided by Edmund Dulac ... The quality ... is best indicated by saying that the
color prints give the impression of mosaics of mother of pearl and rich jewels with the
light behind them - a miniature and
sublimate stained glass effect, divorced from the
ecclesiastic stiffness of real stained glass, and made (in the case of the female figures
particularly) infinitely graceful, a fit medium for fairies, houris, genii, goblins, women, and last, but
not least, children; admitting, too, of delightfully humorous effect for all the grace and
delicacy of it.
As an exquisite instance of the purely beautiful,
graceful, and alluring among the fifty illustrations in the present volume may be noted the picture
representing the Princess in the story of the Magic Horse reclining Orientally at her toilet attended
by her maidens; as an example of the
humorous nothing could be better than the picture which
represents Ali Baba, squat and bearded, returning from the cave of the Forty Thieves with his
three laden asses - "a well-satisfied man".
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One of the
magnificent illustrations appearing in this edition of Tausend
und Eine Nacht - Dulac's depiction of Scheherezade |
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The collection of stories illustrated in Stories
from the Arabian Nights include: "The Fisherman and the Genie"; "The Story of the King of the Ebony Isles"; "Ali Baba
and the Forty Thieves"; "The Story of the Magic Horse"; "The Story of the Wicket Half-Brothers"; and "The Story
of the Princess of Deryabar".
To the left, we show
another of the wonderful images
shown displayed as a
tipped-in plate within this edition
of Tausend und
Eine Nacht - Dulac's depiction of
Pirouzè, "the fairest and most honourably born". |
The Ring of Niblung
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A rare copy of
The Ring of Niblung - as published by William Heinemann Ltd
(London, 1939) and containing a selection of more than 40 colour
illustrations and many more monotone images by Rackham. The first
publication of this edition, printing was undertaken in Great
Britain by William Clowes and Sons, Limited (London and Beccles).
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The Ring of Niblung contains Margaret
Armour's translation of Wagner's Ring Cycle, including, The Rhinegold,
The Valkyrie,
Siegfried and The Twilight of the Gods.
The Rackham illustrations - in both colour and monotone included in this
edition
are drawn from his contributions to The
Rhinegold & The Valkyrie and Siegfried & The Twilight of the Gods
first published
prior to World War I.
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Two examples of the many colour
and monotone images within The Ring of Niblung
that illustrate Wagner's "The
Rhinegold" and "The Valkyrie". |
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A further two examples of the
many colour and monotone images within The Ring of Niblung - in this
case,
the images are drawn from
Wagner's "Siegfried" and "The Twilight of the Gods". |
Arthur and His Knights
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A rare copy of Chaundler's
Arthur and His Knights - as illustrated by Thomas Mackenzie -
produced by Nisbet & Co. Ltd. (London) in, or about, 1945. Printing
for this edition was undertaken by Morrison and Gibb Ltd (London and
Edinburgh).
To the left, we show the rare
illustrated Dust Jacket (covered with protective plastic sleeve).
On the right, we show the
unassuming and
unmarked red cloth cover as issued
by Nisbet. |
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Presenting Chaundler's own version of the Arthurian
legend, this tale opens with an introduction to Merlin and
proceeds through a tale that would be familiar to many: Arthur is
introduced to Excalibur and founds his Court
around The Round Table; Merlin
passes and Morgan le Fay begins her influence; Quests -
including that for
The Holy Grail - are described involving Lancelot, Sir
Kay, Gareth, Sir Tristram and Sir Galahad; the exile of
Queen
Guinevere; and the passing of King Arthur.
Throughout, Mackenzie's 8 colour illustrations are
magnificent.
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Here we show
two of the 8 illustrations appearing within Arthur and His
Knights.
On the left, is
Mackenzie's version of "The Lady of the Lake" and to the right, is
his depiction of Tristram carrying his love away on horseback. |
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Kay Nielsen illustrations from Hansel and Gretel:
And Other Stories by the Brothers Grimm
These illustrations are from the 1st Edition published
in 1925 by George H Doran Company (New York) for the United States market. With
2,100 copies of the 1st Edition available to the English-speaking world, these
images were produced in limited numbers.
For this Edition, Nielsen's colour illustrations were
also accompanied by a number of monotone images. In addition, the tipped-in
colour plates were produced with the original integrated borders - each border
being uniquely designed by Nielsen to accompany the associated illustration.
Nielsen's illustrations for Hansel and Gretel: And
Other Stories by the Brothers Grimm are beautiful examples of his high Art
Nouveau style and are typically lush with sensual composition, extraordinary
detail and deliciously subtle original colours.
The individual pages only are offered, but a
prospective framing option is also shown as an example of how superbly these
pages may be presented.
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Rumpelstiltskin
The little man
dashed his right foot so deep into the floor that he was forced
to lay hold of it
with both hands to pull it out
Provenance: An American Collector
Image size: 14.8 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration
depicting Rumpelstilstkin
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Hansel and Gretel
They saw that the
cottage was made of bread and cakes
Provenance: An American Collector
Image size: 14.7 x 20.1cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration
depicting Hansel and Gretel
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The Six Swans
When she had
concluded, the King was overcome with joy
Provenance: An American Collector
Image size: 15 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Six Swans
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Little Brother and
Little Sister
The maiden said, "Be
still, dear little fawn, and I will never forsake you"
Provenance: An American Collector
Image size: 12.8 x 16.8cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Little Brother and Little Sister
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The Fisherman and
His Wife
Then the fisherman
went home and found his wife sitting upon a throne,
and she had three
great crowns upon her head
Provenance: An American Collector
Image size: 14.5 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Fisherman and His Wife
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The Drummer
The Drummer began to
play his drum from sheer joy
Provenance: An American Collector
Image size: 12.8 x 16.9cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Drummer
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Rosebud
Rosebud looked so
beautiful he stooped down and gave her a kiss
Provenance: An American Collector
Image size: 14.8 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Rosebud
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The Spindle, the
Shuttle and the Needle
"What do I see?"
cried the Prince. "This spindle wants to conduct me somewhere."
Provenance: An American Collector
Image size: 12.8 x 16.8cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's illustration
for The Spindle, the
Shuttle and the Needle
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of possible framing option |
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Snowdrop
They wrote her name
upon it, in golden letters, and that she was a king's daughter
Provenance: An American Collector
Image size: 14.9 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Snowdrop
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Jorinde and Joringel
At once Jorinde
stood before him as beautiful as ever
Provenance: An American Collector
Image size: 12.8 x 17cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's illustration
for Jorinde and
Joringel
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The Goose Girl
"Blow, breezes,
blow! Let Curken's hat go!
Blow, breezes, blow!
Let him after it go!"
Provenance: An American Collector
Image size: 14.9 x 20cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Goose Girl
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Clever Alice
The bells jingled at
every step she took
Provenance: An American Collector
Image size: 12.9 x 17cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Clever Alice
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Cherry, or the Frog
Bride
Within sat his old
friend the frog
Provenance: An American Collector
Image size: 14.7 x 19.9cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Cherry, or the Frog Bride
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The Three Little Men
in the Wood
And what do you
think she found there? Actually, ripe strawberries!
Provenance: An American Collector
Image size: 12.8 x 17cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's illustration
for The Three Little
Men in the Wood
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The Valiant Little
Tailor
The unicorn, rushing
against the tree, fixed its horn so fast
in the trunk that it
could not draw it out
Provenance: An American Collector
Image size: 15 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's illustration
for The Valiant
Little Tailor
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Roland
From that day
everything prospered in the shepherd's house
Provenance: An American Collector
Image size: 12.8 x 16.9cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Roland
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Rapunzel
Snip, snap, she cut
off all her beautiful tresses
Provenance: An American Collector
Image size: 12.8 x 16.9cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Rapunzel
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The Three Magic
Gifts
The host screamed
for mercy, but all the lustier was the
cudgel in beating
time on his back
Provenance: An American Collector
Image size: 12.7 x 16.9cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Three Gifts
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Catskin
She managed to skip
out so slyly that the King did not
see where she was
gone
Provenance: An American Collector
Image size: 14.8 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for
Catskin
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The Golden Goose
As soon as she saw
the seven all hanging together, she could
not help bursting
into a long and loud laugh
Provenance: An American Collector
Image size: 12.7 x 16.8cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Golden Goose
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The Two Brothers
Then the dragon made
a dart at the hunter, but he swung his sword
round and cut off
three of the beast's heads
Provenance: An American Collector
Image size: 14.9 x 20.2cm
(approximately)
Page size: 21 x 28cm
(approximately)
On the right is
shown detail from Nielsen's
illustration for The
Two Brothers
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