A Wonder Book and Tanglewood Tales (1910)
Illustrated by Maxfield Parrish
To the left, we show a copy of A Wonder Book and Tanglewood Tales, as illustrated by Maxfield Parrish and published by Duffield & Company (New York) in 1910.
This example retains the original blue cloth cover with applied illustrated paste-down.
On the right, we show the illustrated Title Page to this 1st Edition. |
A Wonder Book and Tanglewood Tales (1910) is the 1st Edition of Nathaniel Hawthorne's classic tales of Greek myth and
legend that is illustrated by Maxfield Parrish.
In his Preface, Hawthorne provides an introduction to the history of the tales that, in this 1st Edition, include:
"The Gorgon's Head"; "The Golden Touch"; "The Paradise of Children"; "The Three Golden Apples"; "The Miraculous
Pitcher"; "The Chimæra"; "The Wayside"; "The Minotaur"; "The Pygmies"; "The Dragon's Teeth"; "Circe's Palace";
"The Pomegranate Seeds"; and "The Golden Fleece".
Parrish's illustrations are striking, adding his own visual interpretation to theses classic myths.
Our Greeting Cards and Reproduction Prints
We have prepared sets of 10 Greeting Cards displaying each of the major colour images from A Wonder Book and Tanglewood Tales (1910) and on the left, we show an example of how these Greeting Cards appear. Ordering one of those sets is as easy as selecting the "Add to Cart" feature below and following the prompts provided with our Shopping Cart secured through PayPal. Multiple purchases will be consolidated by that feature and shipping and handling costs to any destination in the world are accommodated by our flat-rate fee of US$20 for every US$200 worth of purchases.
Code: MP
WBTT MS(10) |
When presented on Greeting Cards, these images are prepared as tipped-on plates - in hommage to the hand-crafted
approach typical of prestige illustrated publications produced in the early decades of the 20th Century.
Hand-finishing is used to replicate the visual appearance of a tipped-on plate and the images are presented on
Ivory card stock (in the case of colour illustrations) or White card stock (in the case of monotone illustrations)
with an accompanying envelope. We have left the cards blank so that you may write your own personal
message.
Should you wish to order a Reproduction Print or an individual Greeting Card from this suite of images, we have
provided options below. Of course, should you require a customised preparation, we welcome your contact through
ThePeople@SpiritoftheAges.com.
In the meantime, enjoy perusing these wonderful images from Maxfield Parrish.
The colour illustrations
The Paradise of Children
Pandora
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The Three Golden Apples
Atlas |
The Chimæra
Bellerophon by the Fountain of Pirene |
The Chimæra
The Fountain of Pirene
|
Reproduction on 12x18" sheet
Code: MP WBTT C1 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C2 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C3 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C4 12x18 |
The Dragon's Teeth
Cadmus Sowing the Dragon's Teeth
|
Circe's Palace
Circe's Palace
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The Pomegranate Seeds
Proserpina
|
The Golden Fleece
Jason and the Talking Oak
(Frontispiece)
|
Reproduction on 12x18" sheet
Code: MP WBTT C5 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C6 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C7 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C8 12x18 |
The Golden Fleece
Jason and his Teacher
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The Golden Fleece
The Argonauts in Quest of the Golden Fleece
|
||
Reproduction on 12x18" sheet
Code: MP WBTT C9 12x18 |
Reproduction on 12x18" sheet
Code: MP WBTT C10 12x18 |
Hawthorne's Preface to A Wonder Book and Tanglewood Tales
The author has long been of the opinion that many of the classical myths were capable of being rendered into very capital
reading for children. In the little volume here offered to the public, he has worked up half a dozen of them, with this end
in view. A great freedom of treatment was necessary to this plan; but it will be observed by every one who attempts to
render these legends malleable in his intellectual furnace, that they are marvellously independent of all temporary modes
and circumstances. They remain essentially the same, after changes that would affect the identity of almost anything else.
He does not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that
have been hallowed by an antiquity or two or three thousand years. No epoch of time can claim a copyright in these
immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by
their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and
sentiment, and to imbue with its own morality. In the present version they may have lost much of their classical aspect
(or, at all events, the author has not been careful to preserve it), and have, perhaps, assumed a Gothic or romantic guise.
In performing this pleasant task, - for it has been really a task fit for hot weather, and one of the most agreeable, of a
literary kind, which he ever undertook, - the author has not always thought it necessary to write downward, in order to
meet the comprehension of children. He has generally suffered the them to soar, whenever such was its tendency, and
when he himself was buoyant enough to follow without an effort. Children possess and unestimated sensibility to whatever
is deep or high, in imagination or feeling, so long as it is simple, likewise. It is only the artificial and the complex that
bewilder them.