Liber Chronicarum
Die Schedelsche Weltchronik, or The Nuremberg Chronicle
The masterpiece of Hartmann Schedel, this book is among one of the most famous titles to have been created and is
known variously as Liber Chronicarum, Die Schedelsche Weltchronik and - in English - The Nuremberg Chronicle. Latin
scholars have referred to the book as Liber Chronicarum (Book of Chronicles) as that phrase appears liberally throughout
the index of the Latin edition, while the English speaking world knows the title as The Nuremberg Chronicle for the city
in which it was first published. In contrast, the German speaking world refers to the book as Die Schedelsche Weltchronik
in reference its author, Dr Hartmann Schedel.
The Chronicle is a magnificent work arising from the collaboration of figures from the German Renaissance - it was
compiled by Schedel with illustrations from artists included Michael Wohlgemuth, Wilhelm Pleydenwurff and Albrecht
Dürer and printed and published by Anton Koberger. Dürer is well known as a Renaissance Master, but his other
collaborators also personified the Renaissance. Schedel, for example, while gaining a place in history for his association
with the Chronicle, was earlier awarded a Master of Arts and studied Medicine before traveling to Italy where he wrote
a description of the region's antiquities. His interest in antiquities continued after he returned to Germany and he
established his own collection while practicing as a physician and acting as Bursar to the Cathedral and Diocese of
St Sebald. Wohlgemuth, too, had an established reputation as a painter and engraver prior to the publication of the
Chronicle and is known to be one of Dürer's artistic instructors. Pleydenwurff, similarly, was an established engraver at
the time that he contributed to the completion of the Chronicle. Koberger was the scion of a family that had governed
Nuremberg since it was established as an imperial city in 1219 and became Dürer's Godfather in 1471.
The raison d'être for the Chronicle was to provide an illustrated history of the World, beginning with God's creative
process and ending in the early 1490s. That history is presented in seven ages: from the Creation to the Deluge; to the
birth of Abraham; to King David; to the Babylonian captivity; to the birth of Christ; to the period immediately
preceding the publication of the Chronicle; and an outlook on the end of the World and the Last Judgment.
Up to 1500 copies of the Latin publications are believed to have been published, while as few as 700 of the German
copies are thought to have been produced. Of those, approximately 400 Latin and 300 German copies survive currently.
Our Greeting Cards and Reproduction Prints
When presented on Greeting Cards, these images are prepared as tipped-in plates - in homage to the hand-crafted approach
typical of prestige illustrated publications produced in the early decades of the 20th Century.
Hand-finishing is used to replicate the visual appearance of a tipped-in plate and the images are presented on Ivory card
stock (in the case of colour illustrations) or White card stock (in the case of monotone illustrations) with an accompanying
envelope. We have left the cards blank so that you may write your own personal message.
Should you wish to order Greeting Cards, Reproduction Prints or Posters from this suite of illustrations, we have provided
some options below. Ordering is as easy as selecting the "Add to Cart" feature below and following the prompts provided
with our Shopping Cart secured through PayPal. Multiple purchases will be consolidated by that feature and shipping and
handling costs to any destination in the world are accommodated by our flat-rate fee of US$20 for every US$200 worth
of purchases. Naturally, should you wish to discuss a customized purchase, we welcome your contact through
ThePeople@SpiritoftheAges.com.
In the meantime, however, enjoy perusing a selection of coloured images from Liber Chronicarum.
The Creation of the Heavens, the Earth, all the Creatures and Adam Leaves 2-5 (II-V)
|
|||||||
|
|||||||
These leaves are from the first Latin edition of The Nuremberg Chronicle published in 1493.
Across seven illustrations (one shown on each successive page), the illustrators to the Chronicle depict God's creation of the Heavens, the Earth, all the Creatures and Adam.
|
|||||||
Set of 7 Greeting Cards
Code: NC
II-V CS(7) |
|||||||
Set of 7 reproductions (each prepared on 12x18'' sheets)
Code: NC
II-V P(7) |
The Heavens and the Earth Leaf 5 (V) (verso)
|
|||
Complete illustration
|
Single Greeting Card
Code: NC V(verso)
GC |
Detail
|
|
Reproduction (prepared on a 12x18'' sheet)
Code: NC V(verso)
(12x18) |
|||
This leaf is from the first German edition of The Nuremberg Chronicle published in 1493. The large coloured image to the recto of this leaf depicts The Heavens and The Earth: the Earth is placed at the centre of the Heavenly spheres (noted as terra); and God and the Heavenly Host shown in the outermost sphere. To the left of the Heavenly Host, the ranks are noted from Angels (appearing at the base of the list) to Seraphim (crowning the hierarchy). To the verso is a further coloured image showing the Earth as created by God. |
The Expulsion from Paradise Leaf 7 (VII)
|
||
Complete illustration
|
Single Greeting Card
Code: NC VII
GC |
Detail |
Reproduction (prepared on a 12x18'' sheet)
Code: NC
VII
(12x18) |
||
This leaf is from the first German edition of The Nuremberg Chronicle published in 1493. The large coloured image to the verso of this leaf depicts the biblical tale of The Expulsion from Paradise: to the right, Adam and Eve are shown eating from the Tree of Knowledge; and to the left, the pair are being driven from Paradise. To the recto, a further large coloured image depicts the creation of Eve from one of Adam's ribs. |
The Creation of Eve Leaf 7 (VII) (recto)
|
|||
Complete illustration
|
Single Greeting Card
Code: NC VII(recto)
GC |
Detail
|
|
Reproduction (prepared on a 12x18'' sheet)
Code: NC
VII(recto)
(12x18) |
|||
This leaf is from the first German edition of The Nuremberg Chronicle published in 1493. The large coloured image to the recto of this leaf depicts the creation of Eve from one of Adam's ribs. To the verso, a further large coloured image depicts the the Expulsion from Paradise. |
The Golden Calf Leaf 31 (XXXI)
|
||||
Complete illustration
|
Single Greeting Card
Code: NC
XXXI
GC |
Detail
|
||
Reproduction (prepared on a 12x18'' sheet)
Code: NC
XXXI
(12x18)
|
||||
This leaf is from the first German edition of The Nuremberg Chronicle published in 1493. The large coloured woodcut illustrating the verso of this leaf depicts the biblical tale of The Golden Calf. Moses is shown, from that tale, with the broken tablets containing The Ten Commandments at his feet. The two smaller coloured woodcuts to the recto illustrate other elements of that tale, including Angels sealing the Ark of the Covenant. |
Jesus and the Apostles Recto to Leaf 101 (CI)
|
||||
Complete illustration
|
Single Greeting Card
Code: NC CI
GC |
Detail |
||
Reproduction (prepared on a 12x18'' sheet)
Code: NC CI
(12x18) |
||||
This leaf is from the first German edition of The Nuremberg Chronicle published in 1493. The large coloured woodcut illustrating the recto of this leaf depicts Jesus and the Apostles. |
God disposes of the Antichrist Leaf 262 (CCLXII) (verso)
|
||
Complete illustration |
Single Greeting Card
Code: NC
CCLXII(verso)
GC |
Detail
|
Reproduction (prepared on a 12x18'' sheet)
Code: NC CCLXII(verso)
(12x18)
|
||
This leaf is from the first Latin edition of The Nuremberg Chronicle published in 1493. On this particular leaf, consistently rubricated text is presented on the verso with a full-page coloured woodcut appearing on the verso. That woodcut splendidly depicts God disposing of the Antichrist. Details within the woodcut also show the Antichrist whispering in God's ear. |
The Dance of Death Leaf 264 (CCLXIV)
|
||
Complete illustration |
Single Greeting Card
Code: NC
CCLXIV
GC |
Detail
|
Reproduction (prepared on a 12x18'' sheet)
Code: NC
CCLXIV
(12x18) |
||
This leaf is from the first Latin edition of The Nuremberg Chronicle published in 1493.
On this particular leaf, the artists illustrating the Chronicle have depicted a scene of the inevitable outcome of life - as dwelt upon within the Medieval and Renaissance theme of the "Dance of Death". |
The Last Judgment Leaf 265 (CCLXV) (verso)
|
||
Complete illustration |
Single Greeting Card
Code: NC
CCLXV
GC |
Detail
|
Reproduction (prepared on a 12x18'' sheet)
Code: NC
CCLXV
(12x18) |
||
This leaf is from the first Latin edition of The Nuremberg Chronicle published in 1493. On this particular leaf, Christ is shown presiding over "The Last Judgment". |
Pope Eneas and Kaiser Friedrich III Leaf 268 (CCLXVIII)
|
||||
Complete illustration
|
Single Greeting Card
Code: NC
CCLXVIII
GC |
Detail
|
||
Reproduction (prepared on a 12x18'' sheet)
Code: NC
CCLXVIII
(12x18) |
||||
This leaf is from the first German edition of The Nuremberg Chronicle published in 1493. The large coloured woodcut illustrating the recto of this leaf depicts a meeting between Spiritual and Temporal authority magnificently: to the left, Pope Eneas is seated surrounded by other clergy and symbols of his Spiritual mandate; and to the right, Kaiser Friedrich III is depicted as Holy Roman Emperor supported by a Courtly entourage and symbols of his Temporal power. |