16th and 17th Century Artwork
Throughout the page that follows, we have presented some special examples of illustrations from a variety of
rare works from the 16th and 17th Century, including:
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In many cases, these rare illustrations have contemporary or antique hand-colouring applied, but in some
examples, they are shown just as they were first published - in an uncoloured state.
Our Greeting Cards and Reproduction Prints
When presented on Greeting Cards, these images are prepared as tipped-in plates - in homage to the hand-crafted approach
typical of prestige illustrated publications produced in the early decades of the 20th Century.
Hand-finishing is used to replicate the visual appearance of a tipped-in plate and the images are presented on Ivory card
stock (in the case of colour illustrations) or White card stock (in the case of monotone illustrations) with an accompanying
envelope. We have left the cards blank so that you may write your own personal message.
Should you wish to order Greeting Cards, Reproduction Prints or Posters from this suite of illustrations, we have provided
some options below. Ordering is as easy as selecting the "Add to Cart" feature below and following the prompts provided
with our Shopping Cart secured through PayPal. Multiple purchases will be consolidated by that feature and shipping and
handling costs to any destination in the world are accommodated by our flat-rate fee of US$20 for every US$200 worth
of purchases. Naturally, should you wish to discuss a customized purchase, we welcome your contact through
ThePeople@SpiritoftheAges.com.
In the meantime, however, enjoy perusing this wonderful selection of images.
Seel unnd heiligen Buch Kaiser Maximilians Altfordern
Images of the Saints Connected to the Royal Family of Maximilian
Seel unnd heiligen Buch Kaiser Maximilians Altfordern consists of 123 woodcuts prepared in the 16th Century
following a commission by Emperor, Maximilian I. While formerly thought to have been the exclusive work of
Hans Burgkmair (1473-1531), the woodcuts are now variously attributed to: Burgkmair and an additional two
artists closely associated with the Court of Maximilian, Leonard Beck (1480-1542) and Hans Schäuffelein
(1480-1540); or to Beck exclusively. The carvers associated with these images worked as a group under
Jost de Negker (also known as Jost Dienecker) in Augsberg in the Emperor's service.
Seel unnd heiligen Buch Kaiser Maximilians Altfordern is presented as an account of Maximilian's ancestry and is
based on the literary work of Jacob Mennel (1470-1526).
The woodblocks for Seel unnd heiligen Buch Kaiser Maximilians Altfordern were used for extremely low volume
pressings during the life of Maximilian. In the late-18th Century, Adam von Bartsch - a renowned scholar and
author - secured the surviving 119 original woodblocks for a further pressing under the title Images de saints et saintes
issus de la famille de l'Empereur Maximilien I by Franz-Xavier Stockl of Vienna. It is from that pressing that these
images originate.
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St Adalbert
This original monotone woodcut depicts St Adalbert, a 10th Century Bishop of Prgaue. Adalbert was instrumental in converting Hungary to Christianity and was later martyred during his attempts to convert Prussia
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St Amelberge
This original monotone woodcut depicts St Amelberg, an 8th Century nun. Her relics lay at St Peter's in Ghent and she is traditionally associated with Brabant - the shield held by the putti to her left symbolises that connection
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St Luce |
Single Greeting Card (with matching envelope)
Code: ISCRFM M1 GC |
Single Greeting Card (with matching envelope)
Code: ISCRFM M2 GC |
Single Greeting Card (with matching envelope)
Code: ISCRFM M3 GC |
Reproduction on 12x18" sheet
Code: ISCRFM M1 12x18
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Reproduction on 12x18" sheet
Code: ISCRFM M2 12x18
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Reproduction on 12x18" sheet
Code: ISCRFM M3 12x18
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St Ulric
This original monotone woodcut depicts St Ulric, an 9th Century Bishop of Augsburg. His is known for organizing resistance within Augsburg against an invading Magyars force until relief provided by the arrival of Emperor Otto I
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St Ursula
This original monotone woodcut depicts St Ursula, a 3rd or 4th Century martyr. Reputedly the daughter of a British Christian King, Ursula legend tells that she was martyred in the company of her ladies-in-waiting by Huns in Cologne after she refused to marry the Chieftain
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Single Greeting Card (with matching envelope)
Code: ISCRFM M5 GC |
Single Greeting Card (with matching envelope)
Code: ISCRFM M5 GC |
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Reproduction on 12x18" sheet
Code: ISCRFM M4 12x18
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Reproduction on 12x18" sheet
Code: ISCRFM M5 12x18
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St Madelberte
This coloured woodcut depicts St Madelberte, a late-7th and early-8th Century Abbess of Maubeuge. She was educated in the Monastery with her sister, Aldetrudis, and was the 3rd Abbess - after her aunt and her sister
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St Silvaine
This coloured woodcut depicts St Silvaine, a late-4th and early-5th Century Deacon. Tradition holds that Silvaine was martyred by Vandals at Agedunum or Acitodunum (Ahun) in 407
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Single Greeting Card (with matching envelope)
Code: ISCRFM C1 GC |
Single Greeting Card (with matching envelope)
Code: ISCRFM C2 GC |
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Reproduction on 12x18" sheet
Code: ISCRFM C1 12x18
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Reproduction on 12x18" sheet
Code: ISCRFM C2 12x18
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The White King
Der Weiß Kunig - literally translated as The White King - was prepared in the 16th Century in an apparent
collaboration between at least four artists: Leonard Beck (1480-1542); Hans Burgkmair (1473-1531);
Hans Schäuffelein (1480-1540); and Hans Springinklee (1490-1540). Jost de Negker (also known as
Jost Dienecker) is among the artisans thought to have worked as engravers on the work. Also known
as The Life and Reign of Emperor Maximilian I, Der Weiß Kunig purports to provide a chronicle of the
life of the Emperor.
Der Weiß Kunig was written by Marx Treitzsaurwein following suggestions and dictation provided
directly by Emperor Maximilian I. The allegorical styling of the Emperor as The White King arose from
a variety of sources, including the clear symbolic correlations between 'white' and 'wisdom' and the
traditional white harness Emperor Maximilian I carried in tournaments and battles. Other rulers are
also represented allegorically throughout Der Weiß Kunig, including the King of France (The Blue King),
the Duke of Milan (The King of the Worm - a reference drawn from the Milanese coat of arms), and
the King of Hungary (The Green King).
Plate 140 How the Young White King and the Army joined the Princes and, in doing so, increased the glory of the Kingdom This coloured woodcut depicts and event from the year 1496
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Plate 168 The perilous sea voyage undertaken by Philip and Joanna
This coloured woodcut depicts an event from the year 1505, wherein the ships of the Castilian fleet - carrying King Philip and Queen Joanna - were shipwreck on the English Coast
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Plate 175
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Single Greeting Card (with matching envelope)
Code: WK C140 GC |
Single Greeting Card (with matching envelope)
Code: WK C168 GC |
Single Greeting Card (with matching envelope)
Code: WK C175 GC |
Reproduction on 12x18" sheet
Code: WK C140 12x18
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Reproduction on 12x18" sheet
Code: WK C168 12x18
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Reproduction on 12x18" sheet
Code: WK C175 12x18
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Plate 179 How the White King left the Green Kingdom having suffered a loss of authority
This coloured woodcut depicts an event from the year 1499, wherein - following an unsuccessful campaign against the Swiss - Maximilian ceded certain authority under the Treaty of Basel
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Plate 203 | |
Single Greeting Card (with matching envelope)
Code: WK C179 GC |
Single Greeting Card (with matching envelope)
Code: WK C203 GC |
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Reproduction on 12x18" sheet
Code: WK C179 12x18 |
Reproduction on 12x18" sheet
Code: WK C203 12x18 |
The Origin and Deeds of the Goths
De rebus Gothorum was composed by the 6th Century identity, Jordanes, and claimed to summarized the now
lost Libri XII De Rebus Gestis Gothorum written by Cassiodorus.
Jordanes' De rebus Gothorum was rediscovered in 1442 by the Italian humanist Enea Silvio Piccolomini in
Vienna and what is termed the editio princeps was issued by Konrad Peutinger in 1515. De rebus Gothorum is
considered the only surviving source documenting the origin of the Goths. It is also important for its reference
to a campaign in Gaul involving Riothamus - referred to as "King of the Brettones" - a possible source of
inspiration for early Arthurian legends.
The Title Page to De rebus Gothorum includes an illustration by Hans Burgkmair depicting Alboinus (the King of
the Lombards and conqueror of Italy) in dialogue with Athanaric (the King of the Goths). The privilege issued to
Peutinger by Emperor Maximilian I is printed on the rear of that Title Page.
Title Page (illustration)
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Single Greeting Card (with matching envelope)
Code: DRB C1 GC |
Detail (for reference) |
Reproduction on 12x18" sheet
Code: DRB C1 12x18
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Complete Illustration
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Single Greeting Card (with matching envelope)
Code: B C1 GC |
Detail (for reference) |
Reproduction on 12x18" sheet
Code: B C1 12x18 |
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This coloured woodcut from a 16th Century Bible depicts a meteor shower and a solar eclipse. The meteor shower is shown as stars descending from Heaven trailing fire and those witnessing the events are depicted as awestruck.
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Complete Illustration
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Single Greeting Card (with matching envelope)
Code: B C2 GC |
Detail (for reference)
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Reproduction on 12x18" sheet
Code: B C2 12x18
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This coloured woodcut from a 16th Century Bible depicts a dragon with crowns, spouting water (not fire). In the Heavens, God and Angels are shown.
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