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16th and 17th Century Artwork
Throughout the page that follows, we have presented some special examples of illustrations from a variety of rare works from the 16th and 17th Century, including:
In many cases, these rare illustrations have contemporary or antique hand-colouring applied, but in some examples, they are shown just as they were first published - in an uncoloured state.
Our Greeting Cards and Reproduction Prints
When presented on Greeting Cards, these images are prepared as tipped-in plates - in homage to the hand-crafted approach typical of prestige illustrated publications produced in the early decades of the 20th Century.
Hand-finishing is used to replicate the visual appearance of a tipped-in plate and the images are presented on Ivory card stock (in the case of colour illustrations) or White card stock (in the case of monotone illustrations) with an accompanying envelope. We have left the cards blank so that you may write your own personal message.
Should you wish to order Greeting Cards, Reproduction Prints or Posters from this suite of illustrations, we have provided some options below. Ordering is as easy as selecting the "Add to Cart" feature below and following the prompts provided with our Shopping Cart secured through PayPal. Multiple purchases will be consolidated by that feature and shipping and handling costs to any destination in the world are accommodated by our flat-rate fee of US$20 for every US$200 worth of purchases. Naturally, should you wish to discuss a customized purchase, we welcome your contact through ThePeople@SpiritoftheAges.com.
In the meantime, however, enjoy perusing this wonderful selection of images.
Seel unnd heiligen Buch Kaiser Maximilians Altfordern Images of the Saints Connected to the Royal Family of Maximilian
Seel unnd heiligen Buch Kaiser Maximilians Altfordern consists of 123 woodcuts prepared in the 16th Century following a commission by Emperor, Maximilian I. While formerly thought to have been the exclusive work of Hans Burgkmair (1473-1531), the woodcuts are now variously attributed to: Burgkmair and an additional two artists closely associated with the Court of Maximilian, Leonard Beck (1480-1542) and Hans Schäuffelein (1480-1540); or to Beck exclusively. The carvers associated with these images worked as a group under Jost de Negker (also known as Jost Dienecker) in Augsberg in the Emperor's service.
Seel unnd heiligen Buch Kaiser Maximilians Altfordern is presented as an account of Maximilian's ancestry and is based on the literary work of Jacob Mennel (1470-1526).
The woodblocks for Seel unnd heiligen Buch Kaiser Maximilians Altfordern were used for extremely low volume pressings during the life of Maximilian. In the late-18th Century, Adam von Bartsch - a renowned scholar and author - secured the surviving 119 original woodblocks for a further pressing under the title Images de saints et saintes issus de la famille de l'Empereur Maximilien I by Franz-Xavier Stockl of Vienna. It is from that pressing that these images originate.
The White King
Der Weiß Kunig - literally translated as The White King - was prepared in the 16th Century in an apparent collaboration between at least four artists: Leonard Beck (1480-1542); Hans Burgkmair (1473-1531); Hans Schäuffelein (1480-1540); and Hans Springinklee (1490-1540). Jost de Negker (also known as Jost Dienecker) is among the artisans thought to have worked as engravers on the work. Also known as The Life and Reign of Emperor Maximilian I, Der Weiß Kunig purports to provide a chronicle of the life of the Emperor.
Der Weiß Kunig was written by Marx Treitzsaurwein following suggestions and dictation provided directly by Emperor Maximilian I. The allegorical styling of the Emperor as The White King arose from a variety of sources, including the clear symbolic correlations between 'white' and 'wisdom' and the traditional white harness Emperor Maximilian I carried in tournaments and battles. Other rulers are also represented allegorically throughout Der Weiß Kunig, including the King of France (The Blue King), the Duke of Milan (The King of the Worm - a reference drawn from the Milanese coat of arms), and the King of Hungary (The Green King).
The Origin and Deeds of the Goths
De rebus Gothorum was composed by the 6th Century identity, Jordanes, and claimed to summarized the now lost Libri XII De Rebus Gestis Gothorum written by Cassiodorus.
Jordanes' De rebus Gothorum was rediscovered in 1442 by the Italian humanist Enea Silvio Piccolomini in Vienna and what is termed the editio princeps was issued by Konrad Peutinger in 1515. De rebus Gothorum is considered the only surviving source documenting the origin of the Goths. It is also important for its reference to a campaign in Gaul involving Riothamus - referred to as "King of the Brettones" - a possible source of inspiration for early Arthurian legends.
The Title Page to De rebus Gothorum includes an illustration by Hans Burgkmair depicting Alboinus (the King of the Lombards and conqueror of Italy) in dialogue with Athanaric (the King of the Goths). The privilege issued to Peutinger by Emperor Maximilian I is printed on the rear of that Title Page.
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